Albrecht Dürer (1471-1528)The Presentation of the Virgin in the Temple, from: The Life of the VirginWoodcut, circa 1503, but from the Latin text e...

Albrecht Dürer (1471-1528)Glorification of the Virgin, from: The Life of the VirginWoodcut, circa 1504, a bold and dark Meder c/d impression with ...

Albrecht Dürer (1471-1528)Saints Nicholas, Ulrich and ErasmusWoodcut, circa 1505, a Meder b/c impression on laid paper with indistinct watermark, ...

Albrecht Dürer (1471-1528)Saint EustaceEngraving, circa 1501, but a Meder g (of k) impression, with very faint horizontal scratch to the left of t...

Adriaen Collaert (1560-1618)Blazon of the Antwerp Guild of St LukeEngraving, 1614, a good impression of this scarce print, on laid paper with wate...

Rembrandt van Rijn (1606-1669)The PersianEtching, 1632, a good but later impression of New Hollstein's third state (of three) with some plate tone...

Rembrandt van Rijn (1606-1669)Self-Portrait in a Cap and Scarf with the Face DarkEtching, 1633, a good but later impression of New Hollstein's fin...

Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eight...

Rembrandt van Rijn (1606-1669)Joseph and Potiphar's WifeEtching and engraving, 1634, a good but later impression on laid paper without watermark, ...

Rembrandt van Rijn (1606-1669)Self Portrait with SaskiaEtching, 1636, a good but later impression of New Hollstein's final state (of four), printi...

Rembrandt van Rijn (1606-1669)The Return of the Prodigal SonEtching, 1636, a good but later impression of New Hollstein's final state (of three), ...

Rembrandt van Rijn (1606-1669)Self-portrait in a Velvet Cap with PlumeEtching with delicate plate tone, 1638, a good but later impression of New H...

Rembrandt van Rijn (1606-1669)Joseph Telling his DreamsEtching, 1638, a good but later impression of New Hollstein's final state (of six), printin...

Rembrandt van Rijn (1606-1669)Three Oriental Figures (Jacob and Laban?)Etching, 1641, a fine bold impression on sturdy laid paper without watermar...

Rembrandt van Rijn (1606-1669)The Angel departing from the family of TobiasEtching, 1641, but a later impression of New Hollstein's final state (o...

Rembrandt van Rijn (1606-1669)St. Jerome in a Dark ChamberEtching with plate tone, 1642, a good but later impression of New Hollstein's third stat...

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: the Small PlateEtching with touches of drypoint, 1642, a good impression of New Hollstein's ...

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching and engraving, circa 1632, a good but later impression of New Hollst...

Rembrandt van Rijn (1606-1669)Abraham Caressing IsaacEtching, circa 1637, but a later impression of New Hollstein's final state (of four), printin...

Rembrandt van Rijn (1606-1669)Self-Portrait in a Flat Cap and Embroidered DressEtching, circa 1642, a later impression of New Hollstein's final st...

Rembrandt van Rijn (1606-1669)The Star of the Kings: A Night PieceEtching and drypoint, circa 1651, a very good well inked impression of New Holls...

Rembrandt van Rijn (1606-1669)A Scholar in his Study ('Faust')Etching and drypoint, circa 1652, but a later impression of New Hollstein's sixth st...

Rembrandt van Rijn (1606-1669)Abraham and IsaacEtching and drypoint, 1645, but a later impression of New Hollstein's second state (of two), with g...

Rembrandt van Rijn (1606-1669)Self-Portrait etching at a WindowEtching, drypoint and burin, 1648, a later impression of New Hollstein's final stat...

Rembrandt van Rijn (1606-1669)Clement de Jonghe, PrintsellerEtching and drypoint, 1651, but a later impression of New Hollstein's eighth state (of...

Rembrandt van Rijn (1606-1669)David at PrayerEtching with drypoint, 1652, but a later well inked impression of New Hollstein's final state (of thr...

Rembrandt van Rijn (1606-1669)The Adoration of the Shepherds: With the LampEtching, 1654, a good impression of New Hollstein's final state (of thr...

Rembrandt van Rijn (1606-1669)The Descent from the Cross by TorchlightEtching and drypoint, 1654, a good but later impression of New Hollstein's f...

Rembrandt van Rijn (1606-1669)Christ at Emmaus: The Larger PlateEtching with drypoint, 1654, a good but later impression of New Hollstein's final ...

Adriaen Jansz van Ostade (1610-1685)Die Angler auf der BrückeEtching, circa 1647, a good impression of the fifth state (of 6) with the strengthen...

Female printmaker.- Magdalena de Passe (c. 1596-1638)Apollo and Coronis, after Adam ElsheimerEngraving, circa 1623, a good impression of this scar...

Bartolomeo Biscaino (1629-1657) The NativityEtching, circa 1650, an excellent impression on fine laid paper with watermark of the letters 'PA' wit...

Giovanni Antonio Canal, called Canaletto (1697-1768) The house with the inscriptionEtching, circa 1740-1741, etching on cream laid paper without w...

Giovanni Antonio Canal, called Canaletto (1697-1768) View of a Town with a Bishop's TombEtching, circa 1735-1746, a good black impression on ivory...

Giovanni Battista Piranesi (1720-1788) The Gothic Arch, from 'Carceri d'Invenzioni'Etching, circa 1749, but a later black impression on thick ivor...

Jusepe de Ribera (1591-1652)Saint Jerome readingEtching, circa 1624, a delicate impression on laid paper without watermark, sheet 190 x 253 mm (7 ...

Jusepe de Ribera (1591-1652), School of.The LamentationEtching, circa 1624, a bold well inked impression on laid paper without watermark, sheet 19...

Paul Cézanne (1839-1906)Guillaumin au Pendu (Cherpin 2)Two impressions of the etching, 1873, from the posthumous edition printed after 1906, on la...

Maximilien Luce (1858-1941) by Jacques Villon (1875-1963)Londres (Ginestet & Pouillon 663)Aquatint printed in colours, 1929, signed by Luce and Vi...

Pierre-Auguste Renoir (1841-1919)Claude Renoir, La Tête Baissée (Delteil 39, Stella 39)Lithograph, 1904, from the edition of 1000, on wove paper, ...

Pierre-Auguste Renoir (1841-1919)Claude Renoir, Louis Valtat (Delteil 38, Stella 38)Lithograph, 1904, from the edition of 1000, on wove paper, wit...

Henri de Toulouse-Lautrec (1864-1901)Miss Ida Heath, Danseuse Anglais (Wittrock 64)Lithograph in black, 1894, one of fifteen impressions on wove p...

Henri de Toulouse-Lautrec (1864-1901)Jane AvrilCafé Concert (Wittrock 18 i/ii)Lithograph in black, 1893, the edition was 500, on wove paper, with ...

Henri de Toulouse-Lautrec (1864-1901)Tristan Bernard (Wittrock 240, Deltail 9)Drypoint, 1898, a fine proof impression with delicate plate tone, be...

δ Lynn Chadwick (1914-2003)Sitting Couple (Figures) (Farr & Chadwick L.25)Lithograph printed in colours, 1971, signed, dated and numbered from the...

δ Lynn Chadwick (1914-2003)Untitled (Watcher with Moon) (Farr & Chadwick L3)Lithograph in black and red, 1963, signed in pencil, from the edition ...

δ Elisabeth Frink (1930-1993)The Shearwater, from Seabirds (Wiseman 90)Lithograph printed in colours, 1974, signed in pencil, aside from the editi...

δ Barbara Hepworth (1903-1975)Sun and Water, from the Aegean SuiteLithograph printed in colours, 1971, signed in pencil, numbered from the edition...

δ Barbara Hepworth (1903-1975)Twelve LithographsThe complete set of twelve lithographs printed in colours, 1969, each signed in pencil, numbered f...

** Christopher Richard Wynne Nevinson (1889-1946)Banking at 4,000 Feet, from the series 'Britain's Efforts and Ideals: Making Aircraft' (Black 20)...

** Christopher Richard Wynne Nevinson (1889-1946)The Roof Gardens (Black 57)Mezzotint, 1918, a fine impression, signed in pencil, on on F.J. Head ...

δ Victor Pasmore (1908-1998)Untitled 4 (Lynton G52)Screenprint in colours, 1988, signed, dated, and numbered in pencil, one of twenty proofs numbe...

δ John Piper (1903-1992)Foliate Head (Levinson 256)Lithograph printed in colours, 1976, signed in pencil, from the edition of 90, published by Cur...

δ Hans Bellmer (1902-1975)UntitledEtching, circa 1960, signed in pencil, numbered from the edition 70 in Roman numerals, on Japon nacré paper, wit...

δ Marc Chagall (1887-1985)Nu devant La Fenêtre (Mourlot 90; Sorlier 90)Lithograph, 1953-54, signed in pencil, numbered from the edition of 75, pub...

δ Marc Chagall (1887-1985)Le Rêve de L'Âne (see Cramer 63)The original cancelled copper plate for the editioned etching, 1963, published by Gérald...

δ Salvador Dalí (1904-1989)Man and the Sea (M&L 1372a)Screenprint in colours, 1972, signed in pencil, numbered from the edition of 200, published ...

δ Salvador Dalí (1904-1989)Gala assunta (Field 73-18; M&L 580b)Drypoint etching, 1973, signed in pencil, numbered from the edition of 74, printed ...

δ Salvador Dalí (1904-1989)Liquid and Gaseous Television, from Imaginations and Objects of the Future (Field 75-11 C; M&L 824a)Etching with lithog...

δ Salvador Dalí (1904-1989)Comment sont ses yeux... (Field 73-8 L; M&L 597)Drypoint with engraving, 1973, signed in pencil, numbered from the edit...