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Seat of Wisdom (Sedes Sapientiae). Carved and polychromed wooden sculpture. Nordic Europe. Sweden /

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Seat of Wisdom (Sedes Sapientiae). Carved and polychromed wooden sculpture. Nordic Europe. Sweden / - Bild 1 aus 9
Seat of Wisdom (Sedes Sapientiae). Carved and polychromed wooden sculpture. Nordic Europe. Sweden / - Bild 2 aus 9
Seat of Wisdom (Sedes Sapientiae). Carved and polychromed wooden sculpture. Nordic Europe. Sweden / - Bild 3 aus 9
Seat of Wisdom (Sedes Sapientiae). Carved and polychromed wooden sculpture. Nordic Europe. Sweden / - Bild 4 aus 9
Seat of Wisdom (Sedes Sapientiae). Carved and polychromed wooden sculpture. Nordic Europe. Sweden / - Bild 5 aus 9
Seat of Wisdom (Sedes Sapientiae). Carved and polychromed wooden sculpture. Nordic Europe. Sweden / - Bild 6 aus 9
Seat of Wisdom (Sedes Sapientiae). Carved and polychromed wooden sculpture. Nordic Europe. Sweden / - Bild 7 aus 9
Seat of Wisdom (Sedes Sapientiae). Carved and polychromed wooden sculpture. Nordic Europe. Sweden / - Bild 8 aus 9
Seat of Wisdom (Sedes Sapientiae). Carved and polychromed wooden sculpture. Nordic Europe. Sweden / - Bild 9 aus 9
Seat of Wisdom (Sedes Sapientiae). Carved and polychromed wooden sculpture. Nordic Europe. Sweden / - Bild 1 aus 9
Seat of Wisdom (Sedes Sapientiae). Carved and polychromed wooden sculpture. Nordic Europe. Sweden / - Bild 2 aus 9
Seat of Wisdom (Sedes Sapientiae). Carved and polychromed wooden sculpture. Nordic Europe. Sweden / - Bild 3 aus 9
Seat of Wisdom (Sedes Sapientiae). Carved and polychromed wooden sculpture. Nordic Europe. Sweden / - Bild 4 aus 9
Seat of Wisdom (Sedes Sapientiae). Carved and polychromed wooden sculpture. Nordic Europe. Sweden / - Bild 5 aus 9
Seat of Wisdom (Sedes Sapientiae). Carved and polychromed wooden sculpture. Nordic Europe. Sweden / - Bild 6 aus 9
Seat of Wisdom (Sedes Sapientiae). Carved and polychromed wooden sculpture. Nordic Europe. Sweden / - Bild 7 aus 9
Seat of Wisdom (Sedes Sapientiae). Carved and polychromed wooden sculpture. Nordic Europe. Sweden / - Bild 8 aus 9
Seat of Wisdom (Sedes Sapientiae). Carved and polychromed wooden sculpture. Nordic Europe. Sweden / - Bild 9 aus 9
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Seat of Wisdom (Sedes Sapientiae). Carved and polychromed wooden sculpture. Nordic Europe. Sweden / Norway. Romanesque. 12th century.
68 x 30 x 17 cm. Its original polychrome is preserved.
From the 11th century, in a movement that culminated in the Gregorian Reform (1073), the image of the Virgin in Majesty and its symbolism developed, the Sedes Sapientiae, or seat of wisdom, becoming the Marian representation par excellence. Thus, Mary is the instrument for incarnating the Lord, and His main support.
In our opinion, this magnificent sculpture is included within the group of Romanesque Madonnas in Majesty, made in the North of Europe in the 12th and 13th centuries in the territories of the former Viking Kingdoms such as Gotland, or in what is now Sweden. , Norway and Denmark. All of them have their own characteristics that allow them to be grouped, which are, in addition to the same style, carving technique and polychroming, the following: The throne model on which Mary rests, a specific type of chair with a very high back and turned arms, Mary's clothing is reminiscent of the clothing worn by the ancient inhabitants of these towns, such as the Viking cape Mary wears and in the typical married women's hairstyle with long braids. In addition the sculpture has somewhat elongated faces, and the characteristic folds in the clothing, of Byzantine influence.
These Marian representations, found in the North of Europe, are some of the oldest known examples of this type of statue. Few remain in private hands, most of them are in museums, and few examples have survived due to the iconoclasm brought about by the advent of Protestantism in that area.
Other examples of these Nordic Majesties are, for example, the Virgin of Mosjo, dressed as an ancient goddess, dating from the 12th century, The Virgin of Viklau from Gotland, in present-day Sweden, and which is considered one of the best preserved in Europe, the Virgin of Okänd ort, the Virgin of Nävelsjö and the Virgin of Mo, all of them are part of the collection at the Stockholm History Museum, as well as the Virgin of Urnes dated in 1175, and kept in the University Museum of Bergen , the Virgin of Dyste and the Virgin of Forssa of Södermanland.

 

Reference bibliography:
- Mercier, Emmanuelle. (2018). “New research findings on 11th-early 13th-century polychrome wood sculpture at the Royal Institute for Cultural Heritage, Brussels”. Medievalista, nº 26. https://doi.org/10.4000/medievalista.2313
- Kollandsrud, Kaja, y Plahter, Unn. (2019). “Twelfth and early thirteenth century polychromy at the northernmost edge of Europe: Past analyses and future research”. Medievalista, nº 26. https://doi.org/10.4000/medievalista.2303
- Kollandsrud, Kaja. (2016). Accessing the past in the present: A search for meaning in polychrome medieval art. En C. Hanner Norstrand; T. Warscheid y A. Henningsson (Eds.), “Medieval Murals in the Church Attics of Östergötland: Technical Art History, Reception History, Value” (pp. 34-46). ICOMOS Sweden.
- Plahter, Unn. (2014). “Norwegian art technology in the twelfth and thirteenth centuries: materials and techniques in European context”. Zeischrift für Kunstechnologie und Konservierung, hefte 2. (pp. 298-332).

Seat of Wisdom (Sedes Sapientiae). Carved and polychromed wooden sculpture. Nordic Europe. Sweden / Norway. Romanesque. 12th century.
68 x 30 x 17 cm. Its original polychrome is preserved.
From the 11th century, in a movement that culminated in the Gregorian Reform (1073), the image of the Virgin in Majesty and its symbolism developed, the Sedes Sapientiae, or seat of wisdom, becoming the Marian representation par excellence. Thus, Mary is the instrument for incarnating the Lord, and His main support.
In our opinion, this magnificent sculpture is included within the group of Romanesque Madonnas in Majesty, made in the North of Europe in the 12th and 13th centuries in the territories of the former Viking Kingdoms such as Gotland, or in what is now Sweden. , Norway and Denmark. All of them have their own characteristics that allow them to be grouped, which are, in addition to the same style, carving technique and polychroming, the following: The throne model on which Mary rests, a specific type of chair with a very high back and turned arms, Mary's clothing is reminiscent of the clothing worn by the ancient inhabitants of these towns, such as the Viking cape Mary wears and in the typical married women's hairstyle with long braids. In addition the sculpture has somewhat elongated faces, and the characteristic folds in the clothing, of Byzantine influence.
These Marian representations, found in the North of Europe, are some of the oldest known examples of this type of statue. Few remain in private hands, most of them are in museums, and few examples have survived due to the iconoclasm brought about by the advent of Protestantism in that area.
Other examples of these Nordic Majesties are, for example, the Virgin of Mosjo, dressed as an ancient goddess, dating from the 12th century, The Virgin of Viklau from Gotland, in present-day Sweden, and which is considered one of the best preserved in Europe, the Virgin of Okänd ort, the Virgin of Nävelsjö and the Virgin of Mo, all of them are part of the collection at the Stockholm History Museum, as well as the Virgin of Urnes dated in 1175, and kept in the University Museum of Bergen , the Virgin of Dyste and the Virgin of Forssa of Södermanland.

 

Reference bibliography:
- Mercier, Emmanuelle. (2018). “New research findings on 11th-early 13th-century polychrome wood sculpture at the Royal Institute for Cultural Heritage, Brussels”. Medievalista, nº 26. https://doi.org/10.4000/medievalista.2313
- Kollandsrud, Kaja, y Plahter, Unn. (2019). “Twelfth and early thirteenth century polychromy at the northernmost edge of Europe: Past analyses and future research”. Medievalista, nº 26. https://doi.org/10.4000/medievalista.2303
- Kollandsrud, Kaja. (2016). Accessing the past in the present: A search for meaning in polychrome medieval art. En C. Hanner Norstrand; T. Warscheid y A. Henningsson (Eds.), “Medieval Murals in the Church Attics of Östergötland: Technical Art History, Reception History, Value” (pp. 34-46). ICOMOS Sweden.
- Plahter, Unn. (2014). “Norwegian art technology in the twelfth and thirteenth centuries: materials and techniques in European context”. Zeischrift für Kunstechnologie und Konservierung, hefte 2. (pp. 298-332).

Saints, Queens and Magnas

Auktionsdatum
Lose: 97
Ort der Versteigerung
Conde de Salvatierra, 8
Barcelona
08006
Spain

Generelle Versandinformationen vom Auktionshaus verfügbar

The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.

Wichtige Informationen

Medieval Renaissance and Baroque Art.
Art of the Old Continent and the New World.
Paintings, sculptures and works of art.
A wonderful journey full of allegories, saints, mythology etc.
we hope you enjoy our catalog!

AGB

CONDITIONS OF THE AUCTION:

I. REGISTRATION. To bid in the room customers must register at the beginning, filling out a form and picking a number that will identify them during the auction. Customers may be required to register in bank references or other guarantee system and if they do not prove the solvency "LST" will not accept bids and award the auction.

II. WRITTEN BIDS. "LST" will accept written bids, which will be formalized in the form provided by the room until the day before the auction. In such auctions, the room will bid in name of the client until the maximum stated in the offer and always at the lowest possible price. If there are two or more bids for the same amount, the one placed first will have the priority. Written bids received in advance, will have priority on the day of the auction.

III. TELEPHONE BIDS. "LST" will allow telephone bids, if interested people contact "LST" days before the auction providing personal data, ID card and the phone number which will be used by the staff of "LST" to call at the time of the auction. The buyer, within all the legal rights is making an offer for the asking price, when applies for telephone bid. "LST" will not take responsibility for any technical defects beyond its control, which may prevent to contact successfully the bidder during the auction.

IV. AUCTIONEER. The auction will be conducted by an auctioneer, director of the auction will be judge and arbitrator of it with full authority in its development, will award the lots to the highest bidder and is able to settle any controversy concerning lots sale, reject bids, divide lots or group them and remover objects from the room. Will be able to, if it is deemed suitable, not accept bids on the auction. His decision will be unappealable.

V. SALE OF LOTS. The lots are awarded to the highest bidder. Once the auctioneer blows the hammer, the buyer becomes responsible of the lot purchased, exempting "LST" of liability to for any damage and / or accidents that may occur. No refunds of lots.

VI. STARTING PRICE. The amount shown in the catalogue as the starting price for each lot will be, as a rule, the minimum selling price, except for exceptional cases where a reservation may be agreed upon with the seller or it set discretionary by the room.

VII. SCALE OF BIDS. The bids are set according to the following scale:

From 50.-€ to 200.-€…………………………………………..at 10.-€

From 200.-€ to 500.-€…………………………………… …25 in 25.-€

From 500.-€ to 1.000.-€………………………………..…..….50 in 50.-€

From 1.000.-€ to 2.000.-€………………………………..…100 in 100.-€

From 2.000.-€ to 5.000.-€……………………………….….250 in 250.-€

From 5.000.-€ to 10.000.-€…………………………………500 in 500.-€

From 10.000.-€ to 20.000.-€……………………………1.000 in 1.000.-€

From 20.000.-€ to 50.000.-€……………………………2.500 in 2.500.-€

From 50.000.-€ to 100.000.-€…………………………..5.000 in 5.000.-€

From 100.000.-€ to 100.000.-€………………………10.000 in 10.000.-€

From 200.000.-€ to 200.000.-€………………………25.000 in 25.000.-€

From 500.000.-€ to 500.000.-€………………………50.000 in 50.000.-€

VIII. RIGHT OF ADMISION. "LST" reserves the right to admission to the auction room and to reject, at its judgment, any purchase order, from clients whose solvency is not duly proved as well as not to sale auctions.

IX. SALE PRICES. The successful bidder of one or more lots must pay "LST" the final sale price achieves at auction, plus the 22 % plus 21% VAT on the commission, at total 26,62 % on Hammer Price.

X. CATALOG DATA. The catalogue data are obtained in order to careful research and advice, however, any responsibility is afforded about its accuracy. The lots will be auctioned in the state in which they are, not accepting any claims in restorations, breakage, damage, imperfections and, even description or numbering mistakes in the catalogue, in case of it, being the burden of the buyers to make sure before the auction that the description matches with their personal opinion about respective lot. The exhibition of the lots is intended to allow a perfect review and study of them.

XI. PAYMENT AND REMOVAL OF LOTS. Payment and removal of the lots will be held no later than five days following the auction. After this period expire without having the buyer removed the lot or lots purchases, it will accrue an expense of custody of 6 euros per day on each lot.

15 days after the auction without having the buyer paid and removes the sold lots, "LST" will inform the seller and there will begin judicial proceeding in order to obtain payment. The delay in payment by the purchaser of his/her sold lots will carry an interest increase at a rate of 1,5% per month.

XII. DELIVERY OF LOTS. The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.

XIII. RIGHT OF FIRT REFUSAL AND REPURCHASE. "LST" in order to article 38 of "Ley 16/1985 de 25 Junio del Patrimonio Histórico Español" (BOE. 155 June 29, 1985), will notify in advance to the Ministry of Culture, the content of their catalogues. Concerning the lots subject to the legislation referred to in the preceding paragraph, the Administration may exercise the rights of first refusal and repurchase according to the law. "LST" will watch over the protection of Artistic, Historical and Bibliographical Heritage of Spain. For customers out of European Community, a tax for export is required by the Administration.

XIV. VALUE ADDED TAX (I.V.A). This tax will be accrued on commissions of "LST" for buyers, using the rates prevailing on the date of the auction.

XV. DATA PROTECTION. In order to the "Ley 15/1999 de 13 de Diciembre, de Protección de Datos de Carácter Personal", the client authorize "LST", the inclusion of their data in a customer file, and for the promotion by "LST" of the objects at all times the rights of access, rectification or deletion of personal data by sending the appropriate request to the following address: LA SUITE SUBASTAS, C/ Conde Salvatierra, 8, 08006. Barcelona.

XVI. EXPRESS LEGAL JURISDICTION. These Conditions are governed by and interpreted in accordance with the rules of Spanish law. The mere act of participating in the auction as seller, buyer or bidder, implies acceptance of these Terms and Conditions.

Sales operations are understood to be held at the registered office of "LST", C/ Conde de Salvatierra, 8, 08006. Any dispute shall be taken to the competent courts of Barcelona, expressly waiving any other jurisdiction, in accordance with Article 55 of the "Ley de Enjuiciamiento Civil".

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