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Spanish School. Late Romanesque. 13th century.
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Beschreibung
Spanish School. Late Romanesque. 13th century.
"Christ the Redeemer"
Polychromed and carved wooden sculpture.
125,5 x 44 x 28 cm
This is a curious sculpture of Christ that, although at first glance could be conceived as that of the Resurrected Christ because of the standing posture, exhibiting the wound in his side and with his anatomy barely covered by a cloak of rounded folds forming a fan, it is actually Christ the Redeemer. When we encounter this iconography during the Gothic period, it is most usual to see Christ seated and completely dressed in garments with wide robes. It is in this iconographic rarity, in addition to the sculptural quality, where the great value of the piece lies. Although it cannot be categorically affirmed, it may have been completely carved on its back, with its back later excavated to create a large concavity. This conclusion is supported by the detail that the back of the arms, head, and lower part of the cloak were carved and even polychromed.
Christ appears, standing on a rocky outcrop, advancing and placing his left leg obliquely. His anatomy, treated with extreme cursoriness, so that the ribs, collarbones, and one of the knees are barely suggested, is partially covered by a cloak of muted tones on the outside and red on the inside. Laid over the left shoulder, it covers his back and the left half of his body, leaving the right side of the torso visible and thus the wound in his side. The fabrics are traversed by fan-shaped folds that adhere to his anatomy. The folds that fall from the left arm form very characteristic triangular pleats.
The Redeemer flexes his right arm, with his fingers making the gesture of blessing the faithful who contemplate him, while with the other hand he holds the orb that designates him as the king of the world. The combination of the wound with the orb leads us to the true significance of this iconography: Christ, king and redeemer of the world. The wound is not the only reminder of the Passion that he bears, as he wears a crown of thorns with entwined stems on his head, carved into the piece itself and painted green. The head of Christ conveys great spirituality, with an oval shape nuanced at its lower part by a dense forked beard. He has long black hair that falls symmetrically over his back in sinuous locks that do not cover his ears, treated in a very summary manner. The black almond-shaped eyes give him remarkable liveliness, as does the friendly smile on his wide, closed mouth. This remarkable sculpture must have been carved in a Spanish workshop, perhaps in Castile, in the late 14th century or at the beginning of the following century.
We would like to thank Mr. Javier Baladrón, Doctor in Art History, for the identification and cataloguing of this work.
Auktionsdetails
Versand
AGB & Wichtige Informationen
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Spanish School. Late Romanesque. 13th century.
"Christ the Redeemer"
Polychromed and carved wooden sculpture.
125,5 x 44 x 28 cm
This is a curious sculpture of Christ that, although at first glance could be conceived as that of the Resurrected Christ because of the standing posture, exhibiting the wound in his side and with his anatomy barely covered by a cloak of rounded folds forming a fan, it is actually Christ the Redeemer. When we encounter this iconography during the Gothic period, it is most usual to see Christ seated and completely dressed in garments with wide robes. It is in this iconographic rarity, in addition to the sculptural quality, where the great value of the piece lies. Although it cannot be categorically affirmed, it may have been completely carved on its back, with its back later excavated to create a large concavity. This conclusion is supported by the detail that the back of the arms, head, and lower part of the cloak were carved and even polychromed.
Christ appears, standing on a rocky outcrop, advancing and placing his left leg obliquely. His anatomy, treated with extreme cursoriness, so that the ribs, collarbones, and one of the knees are barely suggested, is partially covered by a cloak of muted tones on the outside and red on the inside. Laid over the left shoulder, it covers his back and the left half of his body, leaving the right side of the torso visible and thus the wound in his side. The fabrics are traversed by fan-shaped folds that adhere to his anatomy. The folds that fall from the left arm form very characteristic triangular pleats.
The Redeemer flexes his right arm, with his fingers making the gesture of blessing the faithful who contemplate him, while with the other hand he holds the orb that designates him as the king of the world. The combination of the wound with the orb leads us to the true significance of this iconography: Christ, king and redeemer of the world. The wound is not the only reminder of the Passion that he bears, as he wears a crown of thorns with entwined stems on his head, carved into the piece itself and painted green. The head of Christ conveys great spirituality, with an oval shape nuanced at its lower part by a dense forked beard. He has long black hair that falls symmetrically over his back in sinuous locks that do not cover his ears, treated in a very summary manner. The black almond-shaped eyes give him remarkable liveliness, as does the friendly smile on his wide, closed mouth. This remarkable sculpture must have been carved in a Spanish workshop, perhaps in Castile, in the late 14th century or at the beginning of the following century.
We would like to thank Mr. Javier Baladrón, Doctor in Art History, for the identification and cataloguing of this work.
Y nos dieron las 100...
Auktionsdatum
Lose: 84
Ort der Versteigerung
Conde de Salvatierra, 8
Barcelona
08006
Spain
Generelle Versandinformationen vom Auktionshaus verfügbar
The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.
Wichtige Informationen
This auction brings us to number 100!
On this special occasion, we present a careful selection of European and New Spanish works, including a previously unpublished painting by Luca Giordano, a magnificent private collection of medieval Spanish sculpture and wonderful examples of painting and sculpture from Spanish America art among other.
We hope you enjoy it as much as we did preparing it.
With our thanks to all those who have made it possible for us to get this far.
AGB
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From 50.-€ to 200.-€…………………………………………..at 10.-€
From 200.-€ to 500.-€…………………………………… …25 in 25.-€
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From 50.000.-€ to 100.000.-€…………………………..5.000 in 5.000.-€
From 100.000.-€ to 100.000.-€………………………10.000 in 10.000.-€
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From 500.000.-€ to 500.000.-€………………………50.000 in 50.000.-€
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